Pro Patria - A continuous series 2009-2015
solo exhibition at De La Warr Pavilion 2015
press release:
The Continuous Series is a body of collages, prints and sculptures that were created over 6 years. Initially influenced by the global architectural visions of the 1960’s, in particular the Italian architect group Superstudio and Constant Nieuwenhuy’s New Babylon, the work explored the idea of a Continuous Defence, a global Hadrian’s Wall. It depicted a never-ending barrier that crossed an undefined historical, present or future landscape. For Harris the barriers were also a metaphor for the difficult but rewarding act of crossing artistic disciplines and practices between the artist, the architect and the designer. His practice is driven by an interest in the Continuous Movement of the materials and processes of printed matter; from it’s beginning as one of thousands in a mass commercial print market, to a unique and forgotten item of ephemera. The unwanted book at its final resting place re-discovered and then re-appropriated into collages and prints, back to a multiple, is a constant catalyst. The Continuous State series revisits themes of Utopian landscapes and architecture. The architectonic three-dimensional work is made from the covers of books, the foundations which protect and contain knowledge. Like the many past unrealized architectural projects such as Frank Lloyd Wright’s Broadacre, they are imagined schemes of future social and political planning.
De La Warr Pavilion
installation view
continuous defence series / continuous movement series / continuous state series
installation view
architectonic acres
architectonic acres
architectonic acres